You won’t miss a thing.
Clarity is king—and with the R80 V2s, you’ll hear every single detail in your music: the gentle breath in every exhale, the subtle finger noise in a nylon-string classical guitar; the nuanced overtones of brass and woodwinds; and exquisite reverb tails that decay gracefully into the void. Not only will your mixes sound their absolute best on R80 V2, but you’ll also be able to hear trouble spots in your tracks with surgical clarity. If you’re mixing or mastering high-resolution audio, the R80 V2 will ensure that you’ll hear every detail captured in your recordings.
Air and transient response.
Driven by a dedicated 65 watt Class A/B amp, the R80 V2’s custom-designed 6.8-square-inch Air Motion Transformer (AMT) excels at accurate reproduction of the highest of high frequencies—those responsible for a sense of air, space, and dimensionality. And the AMT’s astonishingly thin (< 0.01 mm) folded Kapton® membrane allows the tweeter to move in the same instant as the voltage cycles that power it, providing nothing less than wave cycle-accurate transient reproduction.
Wide with pride.
The unique AMT design also allows the R80 V2 to handle 8 to 13 times the projection area of more traditional tweeter designs, while the R80 V2’s unique housing constrains this projection area to the horizontal axis. The result is a very wide sweet spot with focused vertical dispersion, —minimizing reflections off of your desk, ceiling, and floor that could otherwise introduce problematic phase and coherence issues. And because it’s less subject to room-anomaly interference, the R80 V2 studio monitor reacts predictably and sounds consistent, even if moved to different listening environments.
The lowdown on the down-low.
R80 V2’s woofer is eight inches of rigid, custom-woven composite that offers consistent dispersion across its frequency range for the flattest response we could design. A dedicated 75 watt Class A/B amplifier provides ample headroom and impressive distortion-free, non-fatiguing performance—even at higher volumes.
The new versatility.
Improving the respected R-series classics wasn’t easy, but we found a way: by giving you more control than was available on the original R80. The updated R80 V2 features analog acoustic tuning controls that will be familiar to users of our celebrated Eris® line—you get Low Cut, Mid Frequency, and High Frequency controls, as well as a three-way Acoustic Space switch that allow you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner. We also added a new Class A/B amplifier to provide an even warmer and smoother overall frequency response.
Studio monitor connections.
Of course, you also get classic PreSonus monitor connectivity, as R80 V2 provides balanced XLR, balanced ¼-inch TRS, and unbalanced RCA line-level inputs, so you can hook them up to an audio interface, mixer, monitor controller, or almost any other line-level source. If you’d like to add Bluetooth connectivity, check out the MicroStation BT.
The R80 V2 studio monitor provides lifelike audio reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. The exact same AMT technology that provides the R80 V2’s natural-sounding, honest playback also ensures that potential trouble spots in your mixes won’t slip past your critical ear.
Hear the R80 V2 studio monitors at your favorite PreSonus® dealer.
Did you know? PreSonus studio monitors and media reference monitors include a special edition of Studio Magic, a suite of over $1000 USD worth of music software including Studio One Prime and more plug-ins, loops, virtual instruments, effects, and tutorials than you may ever need. The Magic edition of Studio One Prime is compatible with all of the included plug-ins, of course, and because they're included in VST, AU, and AAX formats, you can also use them in any DAW you’d like.
It doesn't matter if you’re working on your first podcast episode or your tenth Grammy—you'll find yourself conjuring from the book of Studio Magic sooner than later. Have fun!
Qualifying products include: Eris-series, R-series, Sceptre-series, and Temblor-series speakers and subwoofers. Ableton Live Lite is not included in Studio Magic when acquired through a speaker registration. Content and terms of the Studio Magic Software Suite are subject to change.
"These sound amazing…. The bass response is great. I don’t need a sub…. I fell in love with them the first day."Kevn Elib, Kreatve Snd
...it sounds beautiful…. really good stereo image… the high-end frequencies come out really clean…. can compete with way more expensive studio monitors.Jeffrey Muller, Inside Audio
Voices come over with plenty of presence and detail, and the stereo imaging is good too, placing centre‑panned sounds solidly between the two speakers.Paul White, Sound on Sound
...plenty of low-end punch, mid-range definition and high-end precision…. a worthy choice for those moving on from the entry-level market but can also be useful for writing rooms and production suites without breaking the bank.Robbie Stamp, MusicTech
There’s a palpable sense of spaciousness evident…. There’s also purity, precision, and most importantly, detail.Simon Fellows, MusicRadar
Przetwornik wysokich tonów... świetny, efektywny i wytwarzający wyrównane pasmo driver, któremu niestraszne są odchylenia od osi nawet o 30 stopni. A to oznacza szeroki i przejrzysty obraz stereo. (The treble transducer.... is a great, effective driver thTomas Wroblewski, Estrada i Studio