A professional recording system you can grow with.
When you’re recording a full band, you need an interface with enough I/O to handle the challenge. For these sessions, the AudioBox 1818VSL USB 2.0 audio/MIDI interface has you covered with six mic/line inputs and two mic/instruments inputs, each with a crystal-clear, high-headroom XMAX preamp. Want to track the whole band at once and send to multiple sets of monitors, headphone amps, and outboard gear? Connect a PreSonus® DigiMax™ D8 or DigiMax DP88 8-channel preamp/converter via ADAT Optical and a digital device via S/PDIF for a total of 18 inputs and 18 outputs.
XMAX preamps + 96 kHz sampling = great sound.
The AudioBox 1818VSL records and plays back at sampling rates up to 96 kHz, with remarkably low noise. It features the same Class A XMAX microphone preamplifiers as our StudioLive AI mixers, which are found in recording studios and live venues the world over. The result is clean, pure, audiophile-quality sound.
The microphone preamplifier is a key component in the audio quality of a recording, and all mic preamps are not created equal. The AudioBox 1818VSL includes custom-designed, high-voltage, discrete, XMAX Class A microphone preamplifiers that are suitable for use with all types of microphones.
The job of a microphone preamplifier in an audio interface is to boost a microphone-level signal to line level before conversion to the digital domain. A good preamp boosts the level to almost 400 times that of the original signal, making the preamp one of the most important stages in an interface. Inexpensive or poorly designed preamps can lead to thin, noisy, or even harsh and brittle results. But with XMAX preamps, the sonic quality is limited only by what microphone you plug into it.
XMAX preamplifiers are built with three key elements:
- Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
- High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
- Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency.
A versatile solution for almost any studio.
The AudioBox 1818VSL’s two combo mic/instrument and six combo mic/line inputs make it extremely versatile, enabling you to use it with microphones, guitars, keyboards, DJ gear, and more. But that’s just the start: The 1818VSL is loaded with features that make it suitable for almost any studio situation and on the road.
The AudioBox 1818VSL is a professional product, so we gave it the advanced features pros need. A BNC word-clock output enables the 1818VSL to sync precisely with other digital audio devices. With eight analog aux outputs and two main outs, you can feed and switch between several sets of monitor speakers and outboard gear.
MIDI I/O lets you can connect the AudioBox 1818VSL to virtually any standard MIDI instrument or control surface. ADAT and S/PDIF I/O make it expandable when you need it. A screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy environments.
Pros know that PreSonus gear is reliable and built to last, and the AudioBox 1818VSL is no exception. We used premium parts throughout, along with a heavy-duty steel chassis with real metal knobs. And we managed to fit its full complement of controls, preamps, and I/O into a single rackspace, so whether your studio is at home or on tour, the AudioBox 1818VSL is there where you need it.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One® 3 Artist DAW, the AudioBox 1818VSL interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One 3 is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice.
All PreSonus interfaces come with PreSonus’ powerful, yet easy-to-use Studio One® 3 Artist recording and production software for Mac® and Windows®. Studio One 3 enables you to compose, record, and produce your masterpiece without getting distracted by the tools, thanks to a straightforward design, a powerful file browser with extensive use of drag-and-drop, in-depth editing, and an Arranger Track and Scratch Pads that let you experiment without losing previous work. It’s inherently Internet-savvy; comes with a wealth of effects plug-ins, virtual instruments, and loops; and can be expanded with Add-ons.
Moreover, Studio One integrates tightly with PreSonus interfaces, configuring automatically—no need to map inputs and outputs. You can even wirelessly transfer recordings from Capture for iPad to Studio One, so you can record anytime, anywhere and edit and mix later. And Studio One 3’s sound quality is, quite simply, unparalleled. These are just a few of the reasons that Studio One 3 is the new standard for DAWs. See what’s new in version 3.
Designed for the studio. Built for the road.
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the AudioBox 1818VSL will give you great sound in a rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the AudioBox 1818VSL comes equipped with Studio One Artist to provide you with a complete recording solution right out of the box. Check out the AudioBox 1818VSL and Studio One at your favorite PreSonus dealer.
Now includes Studio Magic plug-in suite.
This suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.
SPL Attacker is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.
Mäag Audio EQ2 delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels after applying EQ.
Lexicon’s MPX-i Reverb delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 25 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.
The Eventide H910 plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.
Also from Eventide comes the 2016 Stereo Room, which delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.
The Brainworx bx_opto compressor combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.
Completing the Studio Magic bundle is Arturia’s Analog Lab Lite, a “Greatest Hits” collection of physically modeled—not sampled—classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. Enjoy models of iconic instruments from Oberheim, Roland, Sequential Circuits, ARP, Hammond, Fender, Wurlitzer, Moog, and Vox.