Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX™ Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
You’ll never run out of signal processors.
StudioLive 16.0.2 mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.
Connect a StudioLive 16.0.2 mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX™ microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.
We start with a great microphone preamplifier. The job of a microphone preamplifier in a digital mixer is to boost a microphone-level signal to line level before conversion to the digital domain. A good preamp boosts the level to almost 400 times that of the original signal, making the preamp one of the most important stages in an interface. A cheap, off-the-shelf, op-amp-type mic preamp delivers thin, noisy, harsh results. But with XMAX preamps, the sonic quality is limited only by the microphone you plug into it.
XMAX preamplifiers are built with three key elements:
- Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
- High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
- Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency.
Once the signal is precisely converted to the digital domain by high-quality Burr-Brown converters, synchronization to your computer is stable and robust, thanks to JetPLL™ synchronization technology. JetPLL™ incorporates noise shaping to virtually remove all audio-band jitter, ensuring near-perfect clock performance and optimal converter performance when networking two or more digital-audio devices. JetPLL quickly locks to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. As a result, you’ll experience better stereo separation and clearer, more transparent audio.
The XMAX preamps in StudioLive RM-series mixers offer another advantage: They are recallable. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity. So StudioLive RM preamps can be remote-controlled with UC Surface software or a StudioLive CS18AI control surface, and when you load a StudioLive RM mixer scene, the preamp trim values are recalled along with the other settings.
Recording is in StudioLive 16.0.2’s DNA.
The StudioLive 16.0.2’s built-in 16x16 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 16 channels continuously stream to your FireWire-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One 3 Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease.
Integrated, multiplatform software for flexible control and one-click recording.
Only PreSonus StudioLive mixers are tightly integrated with an entire suite of state-of-the-art software. Mix on a Mac or Windows PC using Virtual StudioLive (VSL). Mix on an iPad® using StudioLive Remote. Control individual monitor mixes onstage with QMix™ for iPhone®/iPod® touch. Completely automate virtual soundchecks and record shows with Capture™ for Mac and Windows. Tune your system to the room and watch for problems in your mix with VSL’s integrated Smaart® RTA and spectrograph. Edit, sweeten, and digitally release your recordings with Studio One 3 Artist. StudioLive-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Dedicated analog connections for predictable signal flow.
Take a look at back panel of a StudioLive 16.0.2 mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output.
Add excitement to performances with MIDI control.
Being able to control the 16.0.2 from an iPad®, iPhone®, or iPod touch® is cool — unless your hands are busy playing your instrument. That’s why the StudioLive 16.0.2 offers something even the bigger StudioLive AI-series consoles don't: MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo. You can even automate these features with a DAW! It’s a great way to make your performances more exciting and varied, even if you don’t have a separate soundperson.
Better mixing with StudioLive family values.
It's easy to love this portable powerhouse. To learn more, visit the Media tab on the upper section of this page and watch our StudioLive 16.0.2 videos. Better yet, try a StudioLive 16.0.2 at your nearest PreSonus dealer. You’ll see what we mean about intuitive ease-of-use. You’ll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And you'll come to believe in StudioLive family values.