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  • 1 channel with Class A 12AX7 vacuum-tube mic/instrument preamplifier
    • Gain control with +10 dB to +54 dB gain range
    • Tube Drive control
    • 48V phantom power switch
    • 80 Hz high-pass filter
    • -20 dB pad
    • Polarity-reverse switch
  • Fully Variable VCA compressor
    • Attack, Release, Ratio, Threshold, and (makeup) Gain
    • Auto Attack/Release switch
    • Soft/Hard Knee switch
    • Bypass switch
  • 3-band parametric equalizer
    • Gain, Frequency, and Q controls (mid band)
    • Gain and Frequency controls (low and high bands)
    • Shelving/peak switches (low and high bands)
    • Switchable pre-/post-compressor
    • Bypass switch
  • Master level control
  • Backlit VU meter
    • Gain Reduction to Meter switch (selects gain reduction or output gain)
  • Input/Output
    • 1 unbalanced ¼” instrument input (front panel)
    • 1 balanced ¼” line input
    • 1 balanced XLR mic input
    • 1 balanced ¼” line output
    • 1 balanced XLR line output
  • Physical
  • 1U 19” rack-mountable, rugged steel chassis
  • Sealed, detented, metal rotary controls
  • External 16 VAC power supply

Avery Watts

Let’s get this out of the way: Los Angeles-based Avery Watts looks like a rock star: he’s 6’5”, with blonde... read more