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  • Input/Output
  • 1 unbalanced ¼” instrument input (front panel)
  • 1 balanced ¼” line input
  • 1 balanced XLR mic input
  • 1 balanced ¼” line output
  • 1 balanced XLR line output
  • 1 balanced ¼” insert send (output)
  • 1 balanced ¼” insert return (input)
  • Fast, fully variable compressor
  • Attack, Release, Ratio, Threshold, and (makeup) Gain
  • Soft/Hard Knee switch
  • Bypass switch
  • Internal sidechain with variable (10 Hz to 10 kHz) high-pass filter
  • 3-band parametric equalizer
  • Gain, Frequency, and Q controls
  • Switchable pre-/post-compressor
  • Bypass switch
  • Meters, Controls, and Features
  • Gain control with +52 dB of gain for the mic input and +44 dB of gain for the instrument input
  • 48V phantom power
  • 80 Hz high-pass filter
  • -20 dB pad
  • Polarity-reverse switch
  • Variable microphone input impedance (50, 150, 600, 1,500, 2,500 Hz)
  • Variable preamp Saturate control (simulates tape saturation and tube warmth)
  • Line-input select button
  • Input clip indicator (LED)
  • Master level control
  • Backlit VU meter
    • Meter Output Gain or Gain Reduction
  • Digitalia
  • 1 digital expansion-card slot for optional AD192 24-bit/192 kHz AES/EBU and S/PDIF digital output card (discontinued)
  • Physical
  • 1U 19” rack-mountable, rugged steel chassis
  • Sealed, detented, metal rotary controls
  • Internal power supply with standard IEC connector

 

Eminence

Metal bands don’t usually get much mass-media recognition in Brazil but Eminence is a noteworthy exception. This hard-working band from... read more