PreSonus Blog

Doug Gould of WorshipMD talks about how to make the best use of your sound check time and the band’s rehearsal. Prioritize accordingly and don’t lose sight of the big picture—dial in the entire band one at a time, but don’t spend too much time on little details—do that during their rehearsal.

For info on the StudioLive AI digital mixers, click here.

For more from Doug Gould and Worship MD, click here.

Category StudioLive 32.4.2AI | 0 Comments »
Posted by Ryan Roullard



Mixer aficionados the world over could always stand to learn a new trick or two, and at the rate that technology changes, sometimes we all find ourselves with a little catching up to do. Good thing, then, that Alfred Music has recently released the StudioLive Mixer handbook, which has a little something for everyone. If you’re using one of the classic StudioLive mixers or the new AI mixers, you will find something of value as the book covers both! Furthermore, it’s broken down into a simple three-tier arrangement: a general overview, live sound, and studio recording—including a nice bonus chapter on mic placement.

You’ll also find info on getting the most out of using your StudioLive with external devices like your laptop and iPhone, feedback elimination, remote iPad control, and recording your shows.

Here’s a couple freebies to get ya hooked:

With the publication of this tome, renowned engineer/producer Bobby Owsinski has cemented his stature as a dyed-in-the-wires StudioLive expert. After all, he wrote the book on it, right?

Click on over to Alfred Music’s site to grab a copy today.

Category StudioLive 32.4.2AI | 0 Comments »
Posted by Ryan Roullard



PreSonus’ Rodney Orpheus and Sonic Sense’s Nick Batt had a great little Q&A bro-down at PLASA 2013. This was the first-ever hands-on public showing of the new StudioLive 16.4.2AI and 24.4.2AI

Rodney covers the AI part of the StudioLive AI series in great detail here, and closes with a touch on the new StudioLive AI Loudspeakers. Definitely worth a watch! Thanks to Sonic Sense for bringing Nick, as well as the camera. 

 

Category StudioLive 32.4.2AI | 0 Comments »
Posted by Ryan Roullard



Sonic Sense Pro Audio is SO GOOD to us.

In this new video, they open with a nice breakdown of the workflow and feature upgrades in the new StudioLive 32.2.4AI as compared to the original StudioLive 24.4.2. They touch on Active Integration, computer-free wireless connectivity, Capture 2.1, Mute Groups, Scenes, Fat Channel updates, and more.

But they don’t stop there. They run a multi-track recording from the FoxField Four through BOTH mixers, and provide an A/B test of the stereo mix from both mixers, so you can hear the sonic improvements in the StudioLive 32.4.2AI for yourself!

Great work, guys, and thanks for your support!

Category StudioLive 32.4.2AI | 0 Comments »
Posted by Ryan Roullard



The StudioLive mixers are an ideal choice for running audio for your theate productions!

StudioLive mixers are ideal for the theatre because they are easy to use, allow you to save and recall production scenes, and the integrated software tools allow anyone to run sound. This video demonstrates how school and community theatres can benefit from using a StudioLive to enhance their production and rehearsals.

Category StudioLive 32.4.2AI | 0 Comments »
Posted by Ryan Roullard



The kind folks at American Musical Supply just announced their incredible PreSonus giveaway, including a whopper of a $5,129 prize package that includes:

It’s easy to enter, just click here and fill out their form! This is an incredible chance to get a whole lotta stuff with minimal effort, which is always a popular proposition.

 

Category Sweepstakes/Contest | 2 Comments »
Posted by Ryan Roullard



The StudioLive family of digital mixers have become a sonic solution for houses of worship around the globe. We recently compiled this great series of testimonials from live sound engineers who rely on the StudioLive for their events. Thanks much to everyone who had a hand in this!

For more on the StudioLive solution, click here.

Category StudioLive 24.4.2 | 0 Comments »
Posted by Ryan Roullard



[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do? 

Paul Peters, FOH/IEM (in-ear monitor) engineer, producer, songwriter, and performer. I’m also a PreSonus artist.
How were you introduced to PreSonus?
My experience with PreSonus started in 2008, when a church in Merritt Island, FL wanted to get a small compact console for their satellite campus.  I did research and loved the PreSonus StudioLive 16.4.2. I ordered the console, installed it, and began a love affair with PreSonus that is still strong. On multiple tours over the past five years, I was contacted by the band A Day To Remember in 2009, because the IEM system they were using failed.  I suggested the PreSonus 24.4.2.  They purchased the console and flew me to Ocala, FL to tweak it out for them.  They loved it, and I was soon hired to be their FOH/IEM engineer for two tours. After tens of thousands of miles, and countless shows, the mixer is still running strong.  Because of the quality and reliability, the PreSonus StudioLive family has been the first suggestion I make to touring bands, clubs, or houses of worship.  I have also been on tour with Sick Puppies, We Came as Romans, Otherwise, and Papa Roach.
What PreSonus software/hardware do you use and for what purpose?
Personally, I own a StudioLive 16.4.2.  I use it when I play clubs or when I mix other bands.  I purchased the mixer in 2010 and have yet to have anything go wrong with it.  I have also installed PreSonus StudioLive consoles in over 10 different venues including clubs, concert halls and houses of worship.
What’s so great about PreSonus, anyhow?
The functionality of the StudioLive consoles is where it truly shines. Great sound quality, comprehensive layout and portability makes the StudioLives great for any application.  The virtual sound check is an incredible tool. The WAV files from Capture rival most pro DAWs.  My favorite feature is Universal Control’s remote iPad mixing.  It has eliminated the need to pull an audio snake for a FOH position in just about every application.  Tweaking monitors and house is completely portable, and easy.  My iPad, router and StudioLive mixer are my best friends.
What are you working on now—or next?
Recent PreSonus adventures have been the A Day To Remember IEM mix, the Heritage FOH mix, and the Ridiculous Youth Conference in Panama City Beach.  I’m sure my next gig is right around the corner.
Where can our readers learn more about you online?

Category StudioLive 24.4.2 | 2 Comments »
Posted by Ryan Roullard



Louisiana’s own Royal Teeth recently had an incredible trip on the road this summer, and they brought their StudioLive with them… as well as some video cameras, iPhones, and positive attitudes.

Upon choosing the StudioLive, Royal Teeth didn’t just end up hauling a mixer around. The StudioLive provided Royal Teeth with a complete solution for all of their touring needs, including:

• Live mixing of their shows
• Multi-track recording of shows along the entire tour, via Capture 2
• Mixing and publication of live show recordings via Studio One 2.5
• Room analysis and tuning using StudioLive’s integrated Smaart Wizards
• Onstage personal monitoring via QMix
• Remote iPad mixing via StudioLive Remote
• Fan acquisition via Nimbit’s FanCheck.In.

ALL of these technologies are included with the StudioLive mixers. For more on the StudioLive series, visit:

https://www.presonus.com/products/StudioLive-24.4.2

Here’s a whole slew of six videos featuring Royal Teeth’s experience on the road with their StudioLive, its Smaart integration, QMix, and Nimbit. Big thanks to Royal Teeth for their support of the PreSonus brand; glad to have you kind folks on board!

Category StudioLive 24.4.2 | 7 Comments »
Posted by Ryan Roullard



[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series.]

Who are you, where are you, and what do you do?

Steve Savanyu. Hudson Ohio,  I am the educational services director at Audio-Technica and teach at Kent State University. I teach microphone and wireless workshops at universities around the country and have taught at all of the PreSounSphere events… In my spare time I operate Buford T. Hedgehog Productions, a local production company that does live sound, studio recording , live remote recording, video production and lights just for giggles. I also participate in really big events such as Presidential Debates, Papal visits, and Inaugurations….

How were you introduced to PreSonus?

Through a friendship with Rick Naqvi, at a church sound seminar where I was teaching a microphone class. I assisted with a live recording at the event where we used 3 FirePods aggregated together on my Mac laptop. It was a fun experience and we learned a lot. Ask Rick about hot patching into a non-transformer isolated 48-channel stage snake splitter. It made a big noise on a really expensive NEXO line array…. Oops.

What PreSonus software/hardware do you use and for what purpose?

Where shall I begin? I currently own 5 StudioLive 16.4.2’s, one StudioLive 24.4.2, and 1 StudioLive 16.0.2 which I use primarily for live gigs. I also have been known to carry the 16.0.2 out as the front end for remote tracking sessions using Capture. (I have recorded the orchestral score for two Kent State Student films this way). My original location rig is a FireStudio with 2 Digimax Pres to give me 24 inputs. (I multitracked a basketball game with it for an Audio Technica project. We were showing how different mics and positions affected game sound for broadcast.) In the studio I have a Central Station with remote for speaker management, and a FaderPort  which I use as a controller for the audio part of my video edit rig. I picked up an AudioBox 44VSL for location video work (tied into a MacBook Pro laptop). I run a legacy Pro Tools rig in the studio with a DIGI-003 interface (back when ProTools required Digi hardware) with DigiMax D8 mic pre. The band I work with uses two of the 16.4.2s and performs about four nights a week on average (in different locations). The ease of operation on the StudioLive console and the ability to save scenes makes it a snap for the band to use.

On the software side, I use Capture to record almost every live event we do. The low overhead of capture allows me to use some pretty basic computers to record up to 32 tracks via two linked StudioLive 16.4.2s. In the studio, I have been using Studio One Professional 2.5 as my main edit software. I like it, as it’s intuitive and has low computer processing overhead so it runs great on a laptop. As an experiment, I mixed a seven-song EP of a band I work with on a flight from LA to New York! I was burning out the CD as the flight attendant was saying power down your electronic devices for landing. Of course my Audio-Technica ATH-M50 headphones made accurate monitoring possible in the plane’s less-than-fancy mixdown environment.

I have dabbled with iPad control on my larger rig, but not implemented it completely due to the expense of buying seven iPads, computers and routers. I am looking forward to the StudioLive 32.4.2AI with its built-in networking. I can beta test… :)

 

What’s so great about PreSonus, anyhow?

First and foremost is the people! I have called Justin and Rick on weekends and evenings with questions and they always get back to me promptly. I have participated in both PreSonuSphere events and like the camaraderie of the entire PreSonus Family.

Second, is the products just work and sound good. They are intuitive to learn making it easy for me to train a band’s engineer on using a digital board. We like the fact the processing is built-in to the StudioLive consoles. The presets sound great, and make it easy to get a mix up even if you have never done sound for the band before. True story: Early on we did a gig for a band who was unfamiliar with the power of a digital console. It was an outdoor event so I had the 16.4.2 out front with the snake and a power cable for FOH stuff.  Their diva lead singer, who knew everything about sound and told me so, was being a pain in the butt.  He walked out to FOH, looked at the “smallish” console and said “dude where is your effects/EQ rack?” I hesitated for a moment and looked him in the eye and said: “Dang, I knew we forgot something…” The look on his face was priceless…

And third of course,  is the jambalaya…

Where can our readers learn more about you online? 

First and foremost, check out the Audio-Technica.com website. A-T makes great studio and live mics that pair up well with PreSonus hardware. Our new AT5040 with its revolutionary capsule design and “pure, simple signal path” would pair up well with the ADL 700 Channel Strip (hint hint, I have the mic…) Our Artist Series and Artist Elite live sound mics are second to none.

As for me, check out my website www.bufordthedgehog.com and visit me on Facebook. I try to post a FOH picture of every gig I do either on my page or the PreSonus user group page. I am on LinkedIn but don’t do the Twitter thing.

You can see some of my video work on the A-T YouTube channel as well as other audio companies’ YouTube channels. I have several published articles about doing audio for video and I am the audio expert on the FilmSkills online training series produced by Jason Tomuric.

I attend all of the major trade shows: NAMM, INFOCOMM, NAB, etc. and do microphone and sound workshops at universities, church conferences (with my good friend Doug Gould) and trade shows. You can’t miss my distinctive look…. just ask for the blonde guy!

 

Category VSL | 0 Comments »
Posted by Ryan Roullard