PreSonus Blog

[This just in from Kirk Farmer of the Dirty Rumors, who are living the PreSonus life to the fullest!]

Thanks for the invitation to be included in your blog. We are called Dirty Rumors. We’re a quasi rock band / jam band from Roanoke, VA comprised of Kirk Farmer, (Me) on lead vocal and guitar, Tim (Caesar) O’Sullivan on lead guitar, Scott Sutton on bass, Ben Hite on keys, and Thomas Wilson on drums. We’re more of a jam band than anything. Our live performances are heavy on the long instrumental jams with variety of influxes including rock, funk, blues and county. We actually have a large collection of live tracks that can be streamed from our website. Most of which were also recorded using the same equipment and software we used to record the EP. The EP is called Unity Gain and was released online through TuneCore.com in January.

I was originally introduced to PreSonus when I worked as a recording engineer in Raleigh, NC. I saw a demo of the StudioLive 16.4.2 at a show put on by one of your distributors in Greensboro. I was particularly impressed with it’s ease of use and by the transparency of the preamps.

I few years later, I relocated to Roanoke,VA and brought on a business partner named Nate Potter in order to expand my mastering studio, K-14 Studios service offerings to include mobile, multi-track recording. Nate was also a big fan of the Presonus gear and owned a 16.4.2, and also introduced me to Studio One.

Tim and I formed Dirty Rumors in September of 2012. When we made the decision to record our EP, it was only logical that Nate and I produce and engineer the project using the PreSonus gear that we had been using to record our clients with.

As mentioned before, we primarily use the 16.4.2 for tracking. One of the great things about this setup is its mobility. All we need is the board, the laptop, the snake and some mics and we’re in business—literally! We use Capture to track everything, including overdubs. Once we get the tracks back to the studio, we use a FirePod as a speaker/headphone interface, and mix the sessions on Studio One. We also use Studio One’s project page for mastering.

The things we like most about the PreSonus hardware are the quick setup time and the preamp quality. With other digital mixers, we can potentially spend a significant amount of time just getting the board settings where we want them. Using any outboard gear  just adds to the process. With the 16.4.2, we can be powered up and signal and level checked in less than 10 minutes.

As far as the preamps are concerned, the transparency and gain insures a good recording the first time, every time. This is paramount when recording a live show where we might not get a second take. They also allow for a great deal of flexibility during the mixdown process. We can make a lot more creative decisions about the overall sound of the project when we don’t have to contend with preamp coloration introduced by your hardware.

On the software side, Studio One is undoubtedly the most flexible and user-friendly DAW I’ve ever used. It’s intuitive, powerful, and very easy on my CPU. In the past, I’ve primarily used Pro Tools and Audition, both for their different strengths: Pro Tools for tracking and Audition for mastering. Studio One combines the best of both worlds in one very dynamic suite.

Nate and I are currently working on a video project for a band from Lynchburg, VA. Again, we used the PreSonus gear for the tracking, and continue to use Studio One for the post- production processing. Our last major project was the Unity Gain EP, which we created ourselves from start to finish. Dirty Rumors is rumored to be recording a concert video in May at the new amphitheater in downtown Roanoke. We plan to use the 16.4.2, tied in to the FOH board through a splitter snake to record the audio from the show.  We’re also talking about recording a full length album this summer, and PreSonus is along for the ride every step of the way!

Category StudioLive 16.4.2 | 0 Comments »
Posted by Ryan Roullard



Mixer aficionados the world over could always stand to learn a new trick or two, and at the rate that technology changes, sometimes we all find ourselves with a little catching up to do. Good thing, then, that Alfred Music has recently released the StudioLive Mixer handbook, which has a little something for everyone. If you’re using one of the classic StudioLive mixers or the new AI mixers, you will find something of value as the book covers both! Furthermore, it’s broken down into a simple three-tier arrangement: a general overview, live sound, and studio recording—including a nice bonus chapter on mic placement.

You’ll also find info on getting the most out of using your StudioLive with external devices like your laptop and iPhone, feedback elimination, remote iPad control, and recording your shows.

Here’s a couple freebies to get ya hooked:

With the publication of this tome, renowned engineer/producer Bobby Owsinski has cemented his stature as a dyed-in-the-wires StudioLive expert. After all, he wrote the book on it, right?

Click on over to Alfred Music’s site to grab a copy today.

Category StudioLive 32.4.2AI | 0 Comments »
Posted by Ryan Roullard



The kind sports at Hero’s Last Mission put together this exceptional video describing their workflow with the StudioLive 16.4.2. They are using the board to its fullest in both the studio and onstage, taking advantage of features like QMix personal monitoring and scene recall for saving board settings appropriate to multiple venues. Furthermore, they record live shows to Capture and then mix later in Studio One!

Hero’s Last Mission is taking advantage of the full PreSonus solution. Are you?

Category StudioLive 16.4.2 | 0 Comments »
Posted by Ryan Roullard



Even a meager home studio is littered with more gains, trims, volumes, gazintas and gazoutas than one can know what to do with. All of this sequential amplification can lead to clipped gazintas, noisy tones, and, if you’re not careful, tinnitus. So how do you figure out all of your input and output levels?

Properly gain staging your recording devices is critically important, and only a little tricky.  Leave it to Gear Addicts to demystify it all—just for you!

Well, just for you and anybody with Internet access. But still. Worthwhile viewing.

Category StudioLive 16.4.2 | 0 Comments »
Posted by Ryan Roullard



The StudioLive mixers are an ideal choice for running audio for your theate productions!

StudioLive mixers are ideal for the theatre because they are easy to use, allow you to save and recall production scenes, and the integrated software tools allow anyone to run sound. This video demonstrates how school and community theatres can benefit from using a StudioLive to enhance their production and rehearsals.

Category StudioLive 32.4.2AI | 0 Comments »
Posted by Ryan Roullard



[This just in from Thomas Holmen, drummer for Infernal.]

Hi PreSonus!

How are you? I have made this little video showing one of my drum solos from Infernal, live in Denmark. 14 tracks from FOH were mixed in Studio One.  I like the sound of the drums, and I really do hope that you will find this homemade video interesting.
Turn up the volume and listen to my mix, and please let me know what you think!
All the best
Thomas Holmen

[Blogger's note: I think it sounds great, Thomas. Thanks! Dear readers: what do you think about Thomas' drum mix? Comment!]

 

Category StudioLive 16.4.2 | 1 Comment »
Posted by Ryan Roullard



[This just in from Sean Walker, Seattle audio engineer and boating enthusiast. He recently took his friends, and his StudioLive 16.4.2, for a spin out on Lake Washington during the city's annual Seafair festival. Oh, and he also brought his band, and remotely mixed the band's performance on the water while mixing via StudioLive Remote on his iPad. From a floating trampoline. Seriously. Pics follow.]

It’s August in Seattle, and that means two things: less rain than normal and our annual Seafair celebration! Seafair is a week-long celebration culminating on the first Sunday in August with the H1 Unlimited Hydroplane races and an air show over the race course on lake Washington! The race course is surrounded by a log boom on the outside perimeter to keep pleasure crafts from getting run over by a 200 MPH hydro. Now, being the festive sort, we often fill the log boom with boats and party like it’s Mardi Gras! This year, however, we outdid ourselves with the help of our friends at PreSonus, Audix, Sennheiser and QSC. This year, our client and I loaded a Yacht with a 6 Kilowatt generator, a PreSonus Studiolive 16.4.2, four QSC KW181 subs, four KW122 tops, and some K12s for monitors, and invited our friends in the fantastic cover band, The Herding Cats to THROW DOWN ON TOP OF THE YACHT!

Naturally, this presented a unique set of challenges. There were to be identical bow and stern PA rigs (you don’t want any survivors… I mean, anyone to miss the show), monitors for the band, and a wireless transmission to another yacht. So, we set up the speakers, ran power and signal, then ran a snake to the top of the vessel where the band would play as I mixed from inside the cabin. Thankfully for me, this was not my StudioLive’s first rodeo. Rather than the old guess-and-check method I’m used to when there is no proper FOH position, I got to relax on the floating trampoline behind the Yacht and mix the show, via StudioLive Remote on my iPad, iced tea in hand! If that isn’t a win, I don’t know what is! Also, the StudioLive’s ability to link Auxiliary sends to stereo made the wireless transmission to the other yacht a breeze!

The Microphones were all Sennheiser and Audix, except for an RE20 on the kick. Vocals all ran wirelessly. An E965 for Jon, who is the drummer/lead singer. E835’s were deployed for Mike and Rick’s backing vocals. Mike’s Fender Twin amp was miked with an E609 in the standard “Yeah, that’s just right” spot where the dust cap meets the cone. A DI was used for Rick’s bass to keep things “simple.” Since Jon thinks he’s some kind of Bonham, and drenches his drums with pitchers of water for an AWESOME spectacle during the bands Led Zeppelin melody, durable is the name of the game here. Snare and toms were Audix F-series with a Sennheiser E901 plate in the kick and an RE20 for kick out.

The day went off without a hitch and the band sounded fantastic! Most importantly, we had fun and that’s what this game is all about!

A HUGE thank you to Presonus, Sennheiser, Audix and QSC for making fantastic gear in both function and sound. We could not have pulled this off nearly as easily without their help!

The Herding Cats are Jon Bolton, Mike Mattingly and Rick Lovrovich. If you find yourself in the Seattle area, you owe it to yourself to catch them in action!

Sean Walker is a Freelance Audio Engineer in the Seattle area.

Category StudioLive 16.4.2 | 1 Comment »
Posted by Ryan Roullard



The StudioLive family of digital mixers have become a sonic solution for houses of worship around the globe. We recently compiled this great series of testimonials from live sound engineers who rely on the StudioLive for their events. Thanks much to everyone who had a hand in this!

For more on the StudioLive solution, click here.

Category StudioLive 24.4.2 | 0 Comments »
Posted by Ryan Roullard



[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do? 

Paul Peters, FOH/IEM (in-ear monitor) engineer, producer, songwriter, and performer. I’m also a PreSonus artist.
How were you introduced to PreSonus?
My experience with PreSonus started in 2008, when a church in Merritt Island, FL wanted to get a small compact console for their satellite campus.  I did research and loved the PreSonus StudioLive 16.4.2. I ordered the console, installed it, and began a love affair with PreSonus that is still strong. On multiple tours over the past five years, I was contacted by the band A Day To Remember in 2009, because the IEM system they were using failed.  I suggested the PreSonus 24.4.2.  They purchased the console and flew me to Ocala, FL to tweak it out for them.  They loved it, and I was soon hired to be their FOH/IEM engineer for two tours. After tens of thousands of miles, and countless shows, the mixer is still running strong.  Because of the quality and reliability, the PreSonus StudioLive family has been the first suggestion I make to touring bands, clubs, or houses of worship.  I have also been on tour with Sick Puppies, We Came as Romans, Otherwise, and Papa Roach.
What PreSonus software/hardware do you use and for what purpose?
Personally, I own a StudioLive 16.4.2.  I use it when I play clubs or when I mix other bands.  I purchased the mixer in 2010 and have yet to have anything go wrong with it.  I have also installed PreSonus StudioLive consoles in over 10 different venues including clubs, concert halls and houses of worship.
What’s so great about PreSonus, anyhow?
The functionality of the StudioLive consoles is where it truly shines. Great sound quality, comprehensive layout and portability makes the StudioLives great for any application.  The virtual sound check is an incredible tool. The WAV files from Capture rival most pro DAWs.  My favorite feature is Universal Control’s remote iPad mixing.  It has eliminated the need to pull an audio snake for a FOH position in just about every application.  Tweaking monitors and house is completely portable, and easy.  My iPad, router and StudioLive mixer are my best friends.
What are you working on now—or next?
Recent PreSonus adventures have been the A Day To Remember IEM mix, the Heritage FOH mix, and the Ridiculous Youth Conference in Panama City Beach.  I’m sure my next gig is right around the corner.
Where can our readers learn more about you online?

Category StudioLive 24.4.2 | 2 Comments »
Posted by Ryan Roullard




[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do?

I’m Brian Busch—Owner and Lead Engineer for Diamond Entertainment.

How were you introduced to PreSonus?

I started reading reviews and keeping an eye on PreSonus after the release of the StudioLive 16.4.2. It was pointed out to me by Roger Blevins, the lead singer for Mingo Fishtrap. He has long been a fan of PreSonus preamps, which he uses in his studio. With his recommendation and after some research of my own, once the StudioLive 24.4.2 was released I snapped one up and have been using it ever since.

What PreSonus software/hardware do you use and for what purpose?

I own a StudioLive 24.4.2 mixing console attached to a Mac Mini that has Capture and Studio One. We record our shows. Mingo Fishtrap is about to go on tour, and we will be using Capture to record the tour for a live album later to be produced later in the year. I also use an iPad to remotely mix most of my shows with StudioLive Remote. Even when I am not mixing with the iPad, it is an awesome tool for EQing monitors. The Smaart Measurement Technology is great for finding crazy frequencies that show up in the middle of a show.

What’s so great about PreSonus, anyhow?

In a word – flexibility. In my business, being able to adapt to whatever situation is thrown at you is paramount. I constantly have to set my mixer up on the stage, or side stage, for instance, because the show we are playing is for a wedding, I can remotely mix without ruining any the pictures of the bride’s special day.

When on tour, we will mix the show through the StudioLive 24.4.2 and just send a left/right to the front of house. This helps us out because we never know what situation we are showing up to. It could be a club with an old 16-channel board (we need 22, minimum) or a festival with some unfamiliar digital console. However, using this board and my iPad, I can stand right out in the sweet spot of the audience and mix the show from there. Festival stages love this because we only tie up two channels on their snake.

I also like the solid punchy sound of the preamps. No other mixer I use delivers more. This is true especially for drums. I can make just about any drum kit sound like a million bucks with those preamps.

Where can our readers learn more about you online?

Right here:

https://www.facebook.com/DiamondEntertainmentAustin

www.diamondaustin.com

Category StudioLive 16.4.2 | 0 Comments »
Posted by Ryan Roullard